I design things you're meant to touch, not scroll past.

My work starts on paper — folded dummies, cut card stock, proofs pulled by hand — before it ever touches a screen. That habit comes from six years designing packaging and print collateral, where a file that looks right on a monitor can still die at the press.

I keep a small client roster on purpose: usually four to six projects running at once, most of them lasting six months or longer. That's long enough to sit in on a production run, walk a garden site with the horticulturist, or watch a radio host read a poster upside down and tell me exactly what's wrong with it.

Based in Kingston, NY. Available for a handful of new projects starting in early 2027.